He has And then our singing. She didn'tKnow me, but I believed her,And a terrible new acheRolled over in my chest,Like in a room where the drapesHave been swept back. 4 (September 2018), Emily Jungmin Yoon, Maya Marshall, RHINO Reviews Vol. Even if the question animating the poem is a serious one, that sense of being lost in the pursuit is, inevitably, a happy thingit is about finding something that can constitute a productive path through or out of the matter at hand. The United States expanding industrial wealth in the nineteenth century was inseparable from this machine; American capital has always been massed on the backs on nonwhite people.These appellants use the lingo of capitalism, insofar as they are asking for money. Her translations of poetry by Yves Bonnefoy include Words in Stone and The Origin of Language. He has plundered our She earned a BA from Harvard University and an MFA in creative writing from Columbia University. WebMetal claws poised over a valley of rubber. Smith and I corresponded by email about writing, reading, teaching, and her latest collection.WASHINGTON SQUARE: To start, I loved your new collection Wade in the Water. Moreover, my sense of the nearness of the pastthe way that our public grappling with race and racial prejudice has begun to feel so much like a throwback from an earlier timeignited the urgent wish to hear something in an earlier periods voices that might be useful at this moment in the 21st Century.The title Wade in the Water comes from an African American spiritual, which seems apt for a collection that thinks so much about faith, race, and history (especially the Civil War), and for a poet whose previous book took its name from a song, too. When capital is everything, queasy questions[1] bubble up: Is capitalism compatible with democracy? An Old Story is born out of the wish to write a new myth. Curtis Fox: So this poem is set in pre-Facebook times. We often want more from life than is achievable and all-in-all, thats okay. One of the women greeted me.I love you, she said. I also think that over the years teaching has made me a better editor of my own work. You were appointed Poet Laureate in 2017, after Trump was inaugurated. Sort of the innocence of consumerism before bad things happen. Capitalism has made a nightmare world, and we can either resist its pressures or chill with our smartphones and wait for climate change to kill us.Along comes Tracy K. Smiths new book, Wade in the Water (Graywolf). The couplet looped in my head for weeks, and when I finally resorted to Google, I learned it was from Smiths first collection, The Bodys Question.I borrowed her books from the library and found them full of lines like the ones that had hooked me. 4 (September 2018). to bear. A sense of regret that I hadnt perhaps actively articulated to myself found a way into the poem. I watch him smile at nobody, at our trafficStopped to accommodate his slow going. WebPoems, readings, poetry news and the entire 100-year archive of POETRY magazine. I just feel that sometimes they strive more to be abstract rather than deliver a coherent message. SMITH: I think the only way students learn how to craft their own poems is by reading and learning to pay close attention to the specific choices that other writers make. Her latest book is Cast Away, from Greenwillow Books. Curtis Fox: I want to get you to read one more poem. Her latest book is Wade In The Water. WebGarden of Eden By Tracy K. Smith What a profound longing I feel, just this very instant, For the Garden of Eden On Montague Street Where I seldom shopped, Usually only after therapy Elbow sore at the crook From a handbasket filled To capacity. Tracy K. Smith: Well, I guess I was really thinking about the moment when our desire to be public people became such a ravenous appetite. It moves like a woman / Corralling her children onto a crowded bus. It is, implicitly, formed out of lives meshed into communities and societies; in place of capitalisms brutal sorting of human beings, Smith proposes another world. One quick way to define capitalism is to observe that it entails the dedication of all things, all human objects and ideas and actions, to profit, to the continual accumulation of wealth in private hands. the book in a spiritual key? We have reminded them of the circumstances of our emigration What happens to our relationships with others under these conditions which have resolved personal worth into exchange value, as Marx and Engels write in The Communist Manifesto? But that isnt enough, and so I am also listening for clues in the sounds of what I have already said that might help me determine what to say next. I often think of a wonderful Marie Howe poem called The Star Market which begins: The people Jesus loved were shopping at the Star Market yesterday. These are the old, the sick, the people a healthy young person might recoil from. My natural process is to try and distribute the weight of the poem across these mechanisms, but I get very excited when the poem has other plans for itself and leans more toward a rhythmic energy, or toward the rigid structure of rhyme or repetition. ravaged our The same desolate luxury, The gesture of writing an appeal and appending ones name to it parallels her lyric recuperations, because both replace capitalisms terms (where individuals are parts of a vast machine dedicated to profit) with the changeable conditions of authentic selfhood, where every breath matters even if it produces nothing that can be monetized. Let us know what you think of this podcast. https://www.nytimes.com/2020/07/30/magazine/poem-beatific.html. Both are longing for some kind of extra-human counterpoint to the real, the earthbound, the flawed, the finite. And Life on Mars attempts to confront being human. Lentils spilt a trail behind me Wade in the Water is, wonderfully, a Poet Laureates booka book that speaks for the poet herself and for us all, at a perilous moment in our history. The way you can break into laughter remembering something while at a funeral, say, and how that can both deepen and lighten your sense of grief. Tracy K. Smith: I think about the incredible systematic and orderly attempts to negate black life throughout the history of this country, and then I think about the voices and the contributions to democracy that Blacks have offered, and those two things speak really powerfully to each other. The final poem, An Old Story, exposes our tendency to destroy our own world by reminding us of the Biblical storm that drowned all life except for Noah, his family, and the pairs of animals he saved on his ark: After the storm, it is song that changes the weather, tempts the animals to come down from the trees where they had shelteredin an ark made of wood but not by us. Can you explain exactly what that means in terms of what you did with the Declaration of Independence? Poetry does not really resonate with me. So the poems change for me too, which is I think affirmation that something real is happening. Educated at Harvard and Columbia, teaching at Princeton, named the US Poet Laureate in 2017, and already freighted with laurels (her previous book, Life on Mars, won the 2012 Pulitzer), Smith is no undiscovered talent. She studied at Harvard University, where she joined the Dark Room Collective, a reading series for writers of color, created by Sharan Strange in 1988. WASHINGTON SQUARE: Thats fascinating! MyHeart hammers at the ceiling, telling my tongueTo turn it down. Duende is a book that grapples with what it means to me to be an American. Poet Laureate of the United States; its a high perch for an American poet to land on. I guess Ive been thinking a lot about mythology. One of the closing lines is an eerie warning: its global. The worlds first great carbon empire, the United States, is committing suicide, but at least some people are getting richer.The books center is I Will Tell You the Truth About This, I Will Tell You All About It. This long poem, divided into sections based on different voices, consists of material Smith culled from the letters of black Civil War veterans and their wives, children, siblings, and widows, many of whom wrote to President Lincoln asking for financial assistance, in many cases pay that was owed them. I dont yet know how to classify Wade in the Water. Aside from that, I like your analysis of the poem. He put the two of them in a garden where they did not have to provide for themselves. Anyone can read what you share. Though its not like we have much of choice. Like a lot. I see The United States Welcomes You as another poem fixated upon this topic, though perhaps more obliquely; it seems to be voiced by someone whose aim is not compassionate, though there is space at the end of the poem where what I read as fear or hesitation enters in with the line What if we / Fail? WASHINGTON SQUARE: Was it especially difficult, then, to inhabit the persona in The United States Welcomes You? How did the book come together and find its shape? They do a lot to remind us that we do have things to say to each other, that were interested in one anothers lives and vulnerabilities. But it is as if he hears, A voice in our idling engines, calling himLithe, Swift, Prince of Creation. The United States Welcomes You opens with the line, Why and by whose power were you sent? and closes with the line, How and to whom do we address our appeal? It was landing on that parallel syntax that told me the poem was over. Or next to nothing and drops it in the chute. Id squint into it, or close my eyes / And let it slam me in the face / The known sun setting / On the dawning century. Capitalism, Fisher intones, is what is left when beliefs have collapsed at the level of ritual or symbolic elaboration, and all that is left is the consumer-spectator, trudging through the ruins and the relics.Is there any alternative to the morose conviction that nothing new can ever happen (Fisher again)? Heavy lifting, to be sure. / We never left the room. Elbow sore at the crook Tracy K. Smith: I have, and I didnt know if I would. The first line introduces the readers to both the casual Over her career, she has published a memoir and four books of poetry, including The last lines of the poems final section point this up with staggering intensity: My full name is Dick Lewis Barnett.I am the applicant for pensionon account of having servedunder the name Lewis Smithwhich was the name I wore beforethe days of slavery were overMy correct name is Hiram Kirkland.Some persons call me Harry and others call me Henrybut neither is my correct name. WebTracy K. Smith was born in Falmouth, Massachusetts, on April 16, 1972, and raised in Fairfield, California. sent hither swarms of Officers to harass our people, and altering fundamentally the Forms of our, In every stage of these Oppressions We have Petitioned for. She comes home with her paper bags and looks at the numbers to her name and it ultimately slam[s] [her] in the face; she perceives a life of luxury and craves more from life than that of which she can afford. 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